I can remember it like it was yesterday. The world premiere of the new Megadeth video was set to air during Headbanger's Ball, and I couldn't wait. My memories are just as vivid of those of earlier generations who gathered around the television to watch The Beatles on Ed Sullivan. It was a momentous occasion. At the time, I was not a huge Megadeth fan, but much had been made in earlier episodes of The Ball about the large budget and special effects that would surely make this video a classic. Mustaine had talked about the video basically being a sci-fi short movie. As a young man, the thought of a cool sci-fi/metal short film must have been intoxicating. Then again, what the hell did I know...I wore Brut cologne in a misguided attempt to attract the opposite sex. Anyway, an entire episode was actually devoted to a behind the scenes look at the making of the video, so this was a big deal. The video for Holy Wars was already out, and although not as heavy as some of the music I listened to at the time, the high rifforama factor of the tune was certainly pleasing to my ears.
So, about the video...I'm not sure why, but in the early 90s metal bands started a trend that would later take over hip-hop videos all together, that of making us believe that their video was more like a full motion picture than a simple video clip for their latest single. Yes, Michael Jackson's Thriller came many years before this, but that lineage was broken and thus not influential to the bloated production that was Metallica's "The Unforgiven" (unequivocally the champion of pseudo artistic video-as-film garbage, especially the uncut 12 minute version). In any case, much like anything that Mustaine has ever done, the introduction in the Hangar 18 video is ridiculous and unnecesary. Sadly, it also plays second fiddle to Metallica's attempt at the very same thing (that being, The Unforgiven's 10 minute video intro). Simply not as lengthy or retarded as Metallica's, the intro nevertheless kicks things off strongly and leads us down a path of stupidity that only Dave Mustaine and the Nike AIR hightop wearing gang could bring us.
Highlights to look out for:
Vic, Megadeth's rip-off of Iron Maiden's Eddie, makes an appearance and speaks for the first time in history. Turns out, his voice is simply that of a production assistant through a cheap vocal harmonizer. Though we all thought that Vic was down with Megadeth, and he was a rebel at heart, here we see him wearing a suit, and leading an army of third rate actors in a campaign against Megadeth. Also note that he's getting help from other military fat-cats who seem evil since they smoke cigars. Man, the 80s and early 90s were all about military and political fat-cats. I don't know if I want Vic to be the guy to pick up the phone at 3am in the White House, the guy can't even see due to his permanently riveted sunglasses. Note his awful skeleton hands, which are constantly fused in the same position throughout the video, and clearly being held by the actor in his sleeves. They remind me of the hooks that kids wear with pirate costumes.
The large budget that Mustaine had talked about in multiple interviews is nowhere to be seen. Rather than spending a few hundred bucks to get an exterior shot of a field, they used the director's HO scale model. This screenshot may be dark, but when you watch the video (below) you'll see what I mean. Perhaps Mustaine got an advance for the video, and it magically went up his nose.
Much in the way that George Lucas employed Ewoks as lighthearted, Muppet-like characters in the Star Wars triology, here too we encounter this lil' guy, a budget E.T. made out of silly putty. Unlike the other monsters we are about to encounter, this fun loving alien means us no harm. Word to the wise, don't get attached...you'll see what the US government (under Vic's control) has in store for him.
Ed Wood would have been so proud. Clearly, the production staff raided storage warehouses at multiple studios and "borrowed" costumes for the shoot. Here we see an extra from Mos Eisley's cantina scene.
This alien was so embarrassed to be featured in this video that he put his fins over his eyes in order to not have to watch.
Just look at his mouth! Mustaine does a
killer Rambo impression. During the Clash Of The Titans tour, he would have Kerry King and Scott Ian in stitches for hours. He'd grab a Megadeth bandana from the boxes of unsold merchandise, roll it up and put it around his head....then he'd repeat the following endlessly doing his best Rambo: "Nothing is over! Nothing! You just don't turn it off! It wasn't my war! You asked me, I didn't ask you!"
Look closely, you'll see the most anti-semitic moment in video history. Right as Marty Friedman is playing a solo, an alien with exactly the same hair as Marty is escorted by authorities. Perhaps most insulting is the gigantic nose that the alien has. Honestly, this is the sort of thing that should be investigated. Mustaine can be such a prick. This is totally uncalled for. No wonder Marty left the band. Can you blame him?
Throughout the whole video we see brief shots of this shirtless girl (with her back to the camera) being walked through the maze that is Vic's top-secret Airforce base. The director chose to use her as an ongoing theme that is woven through the video's fabric in an Ingmar Bergman-like fashion. Toward the very end of the video, the girl finally turns around, and rather than seeing what every male watching Headbanger's Ball wanted to see...we are confronted with a half-robot, half-lady creature wearing leather pants. Booooo! She's a robot? I thought this facility held aliens? The video's treatment really should have been scrutinized a bit more. This was the biggest disappointment in the whole video, even bigger of a disappointment than Vic's skeleton hands.
Look, I warned you not to get attached to the little muppet. The special effects team created only one alien creature that is not a human in a suit. As such, they had to get their milage out of this sucker...so if one creature was gonna get the Dremel drill, it had to be this one.
They seriously must have paid a fortune to rent this crane, because it's shown in like every other godamned shot. You'll see.
Again, the director's passion for HO-scale model trains pays off big. I've never understood why on earth the members of Megadeth were being taken out in these containers at the end of the video. They were just playing to the entire workforce at the base, and the aliens, but now they are captured and frozen? Are they aliens? I'm so confused.
This video was of substantial importance at the time to Megadeth, not only because it showed the depth that the band was capable of, not only because it featured more guitar solos than Mustaine's failed stints in rehab, but also because of the following events:
