This is what hardcore shows look like in Kentucky.
I somehow found myself in Covington, Kentucky this Sunday for a metalcore show featuring Winds of Plague, Emmure, Terror, All Shall Perish, The Ghost Inside, and some Christian moshcore bands whose names I forget.
"If you smoke near my merch I will karate chop you into a million pieces. Faggot."
Moshcore rednecks don't like the gays The first thing I noticed was how much people at this show liked to say "faggot." I'm far from the PC police: I love the GG Allin, Meat Shits, Gut, Necro, and all kinds of random goregrind/pornogrind. Even with nearly 20 years of sleazy grindcore under my belt, I have to admit I was kind of shocked to see the word "faggot" twice at this show, and even more shocked that nobody seemed to care.
"God said you're a faggot."
The Mystery Method: it' not just for chicks! I'm a big fan of the VH1 show The Pickup Artist, in which a douchelord named "Mystery" teaches a bunch of nerds how to become master pickup artists. The methodology they use is called "The Mystery Method," and while it is definitely more than a little ridiculous, it works! I've used it with great success to chat up hot, crazy chicks over the past few months. The basic concepts are simple: you use an opening line (called a "gambit") to break the ice with a group of people (a "set"). From there, you employ a variety of techniques to keep the conversation going and move toward closing the deal. For example, you attempt to gain the upper hand by playfully criticizing the target (called "throwing negs"). You might also DHV (demonstrate higher value) by telling them you have to leave in a minute (an "FTC," false time constraint). You look for IOIs (indicators of interest), and if you don't see them, roll off (stop talking to the set). There are tons of other concepts, but you get the idea.
Mystery compares meeting women to playing the 12th level of a video game without being able to save
Anyway, I've been seeing this girl and things are going well, so I'm turning my attention from chicks to making more friends that are dudes. The great thing about the Mystery Method is that it works with any group of strangers, not just the ladies! For example, I saw a three set of old hardcore dudes standing near me, and deployed my gambit. "Hey," I asked, "you guys look old and tired like me, how late is this show supposed to last?" I took it from there, looking for IOIs and threading to new material accordingly, and before long I had three new friends. Say what you want, but shows aren't just for moshing and scamming on dumb scene girls- you can actually make friends there too!
For example, I still remember when Lucho and I met back in 1998 while we were both working the door at a show in Columbus, Ohio. Gene Hoglan's Balls and I met at some show in New Jersey in the 00s, and while I don't remember exactly when, I also met Awakening (the jerk who never posts anymore) at a show in 1997 or 1998.
Speaking of dumb scene girls, though, I ran into the daughter from the mom/daughter combo at the Brokencyde show the other week. I made eye contact with her from across the bar, giving her one of those "shame on you" kind of looks that a school teacher would give you while looking over their glasses. She got really nervous and scurried away.
Merch guy's away message while he sang Ezec's part in "Spit My Rage": Sup? Wah... Gone moshing for Terror. Back before the end of the set!
Terror I went to this show with my friend from work who knows absolutely nothing about hardcore, but used to live with one of the guys from Terror by coincidence. We asked the merch guy if Doug was around, and he explained that he had just quit the band, got fired from his job at some mail order place, and was working as a doorman at some bar (I'm guessing the Hemlock). I bought a "Suffer to Return Harder" shirt and thought about how awesome it would look on me at the gym.
Scott Vogel was in tremendous form that night, with some great Vogelisms. Two gems: "We are not a rock band. We are not cool. We are fucked up kid just like everyone in this room." "We're all here for the same thing, whether we are black, white, or brown. Dick. Pussy." I also remembered that Scott used to date/fuck my neighbor when I lived in Cleveland about 10 years ago, so I told the merch guy, "Hey, tell Scott that a girl named J**** H******* is here and wants to talk to him." Anyway, they played all my favorite songs like "One With The Underdogs" and "Spit My Rage," and if I wasn't about to go hang out the previously-mentioned girl, I would have moshed my balls off. I didn't want to either get too sweaty or get punched in the mouth or something because that would inhibit my ability to make out.
Amazing lyrics: "Busters fall down when we're barking commands. Atlas ain't got shit on our steez."
Winds of Plague & Emmure I was hoping to interview Winds of Plague for this post, but the press guy at Century Media blew me off and wouldn't return my calls. Anyway, I left before they played because I was in a hurry to see that hipster hottie. I kinda wanted to see them, but it was getting kinda late, and as much as I like their brand of moshcore... if you saw her you would understand. I finished off the last of my drink and bounced- but hopefully I'll get a chance to catch Winds of Plague this summer.
Metallica is big business, and not just because of the recent release of these amazingly comfortable "Master of Puppets" underpants.
1. Wall Street Journal reports on quality of new album: With all the upheaval in the financial markets, is there one financial institution that is still making money and may still be worth reporting on? Why yes, there's always Metallica. I know, I know...Metallica are not a metal band and no longer matter at all. I get it. Still, if you're my age or older...you remember a time when they mattered very much. As such, imagine my surprise when I opened the Wall Street Journal to check on my extensive and diverse stock portfolio (Earache Records, Blue Grape Merchandise, Axxis Drum Pedals, EMG Pickups) and found news about Metallica's new album instead. As it turns out, the new album sucks balls, and not just for the usual reasons (lack of musical ability, lack of songwriting skills, lack of a drummer etc). If you thought St. Anger's mix was bad, Death Magnetic has some issues as well, and it has nothing to do with Trujillo's crabwalking. Fans are signing petitions to have the album remixed, and album's mastering engineer agrees, saying:
"Believe me, I'm not proud to be associated with this one."
Those are exactly the words of every single person that has been involved with every Metallica project after And Justice For ALl. You can read the article here, or just look at this fancy graphic, courtesy of the WSJ. I don't want them to sue our asses, and I believe that by crediting them, we'll be just fine. I took one class about law in a Community College once. I'm an expert.
2. Metallica hires Turner Duckworth to rebrand itself What should an ailing band that has not produced quality music in ages do in order to better itself? First you hire a psychiatrist (as we saw in Some Kind Of Monster), and then you hire a branding agency. Why? Metallica is a brand, you see, and as such it deserves the same treatment that the likes of Coke and Amazon.com have gotten from Turner Duckworth. Look, I'm not naive. I don't object to this on the basis that branding implies big business. I'm okay with that. I know that Metallica makes tons of money, and that they're a business with employees like any other type of company. My objection is based on the fact that Metallica bandmembers honestly think that this is even worth pursuing. Forgive me for using such an overused comparison, but this is like rearranging the deck furniture on the Titanic. Kerry King (out of all people) said it best. Metallica are a sinking ship. A huge, bloated ship. Read the story here.
One of the primary components of a brand is a logo. Turner Duckworth no doubt charged tons of money to the bloated monster known as Metallica to make their logo back into what it was during And Justice For All.
Madonna playing Pantera's "New Level" live? Oh yes. Not only is there video of it, but different internet accounts back it up. Perhaps this is due to Monte Pittman, who played with Prong, now playing in Madonna's band. What's next? Sweet scalp tattoos? The Anselmo undercut? A black metal project? Sideburns? Having your guitar player shot? Who knows. Watch and enjoy.
Metal Inquisition once again opens its video vault, this time to reveal footage of Robb Flynn prior to contracting the very disease that would be named after him. I remember watching this footage of Vio-Lence when it first came out (1990) and thinking these guys were absolutely rad. Now I look at this footage and realize that they all look like meth dealers who were molested by their uncles. Were they sponsored by Fruit Of The Loom? What's with all the sweatpants, sweatshirts and gym socks? Jesus. Also, please note the amazing facial hair.
Anyway, please pay attention to the shy gentleman wearing the sweet Metal Church hat. That young man, the one with the quiet demeanor, is none other than Robb Flynn. Who knew that such a nice guy would go on to be such a huge douche bag. Come to think of it, as silly as the guys in Vio-Lence look in this interview...I much prefer it to what Robb has gone on to do, both musically and fashion-wise. Ah, the good old days.
Lastly, if any of you out there are in a band, it's very important that you pay close attention to this whole video. Here, the guys in the band break down how they got signed and went on sell tens of records worldwide. Apparently, doing a "demo giveaway through Mechanic" is the key to their success. This video also offers a quick primer on how to deal with the media. Apparently, you have to talk into the camera. Watch and learn.
As a musical act, Metallica's influence on the world of metal is undeniable. Just look around, and you'll see lots of terrible bands with sub-par Danish drummers, and bass players who play slap bass while crab-walking. Similarly, Metallica has become the art world's favorite muse. Just look at the fine pieces below, and you'll see why the artworld has seen a radical switch away from landscapes and still lives, and into portraits. Enjoy.
"Thinking It Over" Depiction of James and Lars looking out towards the bay bridge, wondering what type of horrible snare sound they can use in the next album to make it suck worse. Never mind the fact that the artist got tired after drawing James and drew Lars as a mere ghost. This was on purpose. It's an homage to Lars and how he slows down dramatically and is unable to play Whiplash at even half-time.
"No, I'll Erase You" There's some double entendre here. First, the title refers to that moment in Some Kind Of Monster when Lars' dad, after being asked to review some new songs, says "I think you should delete that". Deep inside, Lars knows his dad wishes he could have erased him when he was a baby. The title also references the erasing technique used to give the jacket's lapel its highlights. This artistic trick is a favorite amongst tenth graders.
"Oooooooh...Yeaaaaah! Womaaaahhhhn!" This fine drawing depicts James at around the time that he began to look like the cowardly lion in the Wizard Of Oz. It speaks about his reservations and fears in life. His biggest fear? Angering tubby knob-twiddler Bob Rock, who has become a father figure in his life. Think about it, in the movie A Year And A Half In The Life Of Metallica, James actually takes his suggestion and does the stupid "ooooh...woman!" thing in the vocal booth. I bet Flemming Rasmussen never made him do that. Anyway, Remember how he started wearing a little wolf head on a necklace around that time? And what about the frets in his guitar that showed a wolf evolving to a man. Just thinking of it makes me feel embarrassed.
"No Life Till Leather" It's not often that the worlds of art and fashion meet. When they do meet, they breed and they have this jacket as a child...and the whole world suffers. Is the person on the top right supposed to be a Cliff/Jason hybrid?
"None More Black" Homage to the Black Album and its minimalist artwork. Simple, but strong...like Kirk's wig.
"This Is My Robot Voice" A ficticious depiction of what would happen if Kirk were ever actually allowed to speak at any Metallica event. What would happen, it turns out, is that he'd put the mic up to his throat and do his best robot voice...and tell stories about his tiny bicycle skid mustache in the early 90s, as well as his wig collection. Come to think of it, that would probably be better than James' awful banter.
"Jump Out Of The Fire" Barely recognizable as the boys from the Bay Area, this mural depicts the dynamic duo. The flames represent the ghost that haunts them...the memory of Cliff Burton, who they killed in Sweden and claimed was an accident. The reason for killing him? Two words: Bell Bottoms.
Watching this video makes me realize how incredibly dumb David Vincent is. Remembering how I quoted parts of what he says in this video to kids in school as though these were my own thoughts makes makes me realize how incredibly dumb I was/am.
It's almost hard to believe that over the years Mr. Vincent could actually get dumber. I've heard of men doing crazy things for women....but turning into the unbelievable, rubber wearing douche that he has become is almost hard to fathom.
Here is a splendid interview with Pantera from 1992, right when Vulgar came out. I really like the hostess, I believe she used to be known as the artist "Martika." She seems very uncomfortable with Phil and the gang's unconventional behavior and shockingly frank language.
Also, if you don't like Pantera, you should probably throw yourself on a sword pronto.