Retroview: Suicidal Tendencies discography (or at least most of it)

Suicidal Tendencies was my entry into the world of punk, hardcore, and metal back in 1989. They've had their ups and downs, to say the least, but I figured it was high time for a retroview of their discography. This is going to be long, but bear with me!! (that's what she said). PS don't forget to join our group on Last.fm!!

Self-Titled (1983)
Obviously this is pretty much the best record ever released and if you don't worship it, you should probably blow your brains out immediately to salvage what's left of your honor. This record is pretty much why I like all the stuff I like now: hardcore, graffiti, metal, fighting, and the West Coast. Where do I ever start?!

First of all, I'm not sure why they decided to cover up those dope shirts with that dumb photo of them hanging from the jungle gym, but whatever. I can't count the hours I spent studying all the shirts on the cover, copying them or trying to make up my own designs. They still look fucking cool. My favorite is the "Suicidal Cycos" one on the middle right. I actually have that goat head/pentagram tattooed on my forearm. When I was 11 or 12 years old, I definitely pulled my socks up high when I wore shorts, buttoned my flannels up to the very top, and otherwise tried to imitate them as much as possible. I used to be kind of embarrassed about it, but fuck that! I was cool! Being an 11 year old kid that jocked Suicidal is way cooler than being into MC Hammer and Vanilla Ice or whatever was popular at the time.



Anyhow, as far as the record goes, needless to say, every fucking song on here is a classic! If I had to pick just one as my favorite, I guess it would be the first song, "Suicide's An Alternative," because I still listen to it when I'm confused and angry at the world and want to break shit and/or kill people. As someone on their Youtube comments said, "Best 'fuck the world and myself included' lyrics of all time." It's pretty clear that 16 spent plenty of time jamming Suicidal when they were kids, too. I also love the breakdown in that song where he's going on about making a deal with Satan or whatever. I still don't really get what that's all about, but it's fucking cool and that's an awesome riff.

I shot Reagan! I shot the pope!

All the other songs on this record are classics, too, and I could literally write page after page about each one, but I won't. I also really liked how they weren't afraid to have ass-ripping metal solos in the mix. I mean, "Institutionalized" is like one big fucking solo. I'm 30 years old, and listening to this right now at my desk makes me want to drink a 40, write on other people's shit, and punch a fuckin' cop in the face!

Sick of people - no ones real
Sick of chicks - they're all bitches
Sick of you - you're too hip
Sick of life - it sucks

Suicide's an alternative

Sick of trying - what's the point
Sick of talking - no one listens
Sick of listening - it's all lies
Sick of thinking - just end up confused
Sick of moving - never get no where
Sick of myself - don't wanna live
Sick and tired - and no one cares
Sick of life - it sucks

Sick of politics - for the rich
Sick of power - only oppresses
Sick of government - full of tyrants
Sick of school - total brainwash
Sick of music - top 40 sucks
Sick of myself - don't wanna live
Sick and tired - and no one cares
Sick of life - it sucks

Suicide's an alternative

Sick of life - it sucks
Sick and tired - and no one cares
Sick of myself - don't wanna live
Sick of living - I'm gonna die

Join The Army (1987)
The most obvious thing to say about this record, of course, is that this album is when Suicidal stopped being a hardcore band and started being a metal band. And let me tell you, this record is metal as fuck!! They came down with a serious case of chopaholism, lots of choppity-choppity-chop riffing going on here in songs like "Looking In Your Eyes." There's also lots of monster slam riffs, like the one at the beginning of "Suicidal Maniac." By the way, that reminds me of something we left off the thrash metal checklist: a song about some kind of killer thrash metal warrior-mascot and how awesome it/he is (see also Megadeth "Psychotron").

I think of this record as their "Breeding The Spawn": a potential classic hampered by awful, muddy production. There are some really great songs on here like "Cyco," "Two Wrongs Don't Make A Right," and of course "Possessed to Skate," but the terrible production makes it hard to listen to them.



I love the video for "Possessed to Skate" for so many reasons! Again, I could seriously make a whole post just about this video because nearly every frame is priceless, but I'll just include a brief version here for the sake of completeness.

Why is he using such an enormous pen to do his calculus?!

Even at 12 years old, I knew it was funny that he used that skinny little microphone like Bob Barker on The Price Is Right.

This was the beginning of my 20-year love affair with graffiti, especially Southern California styles. Next stop, CBS, MSK, AWR, LTS and KOG!

It's not an 80s thrash video without a cabinet TV! See also Megadeth: "I wanna watch the news!!"

Shit, I don't even know what to say about them pulling the plug out to drain the pool... Amazing!! Mind = blown!

On another note, the cover of this record is highly disturbing! I am not sure what they were trying to communicate with that image of the crazy guy with a crazy face made of silly putty pointing at you?? He sort of reminds me of Solid Snake, and it's also pretty impressive how crisp his serratus are! This is also when they switched over to their metal logo, with a sweet airbrushed gradient in it to make it look like it was actually made of metal (as was the style at the time).

How Will I Laugh (1988)
Let's be honest, this record is pretty much total crap. I mean it's kind of fun to listen to with your nostalgia-tinted headphones on, but it's not exactly a classic. The only song I really like is "Surf & Slam," and even then it's only because it reminds me of the T&C Surf video game for NES. I was pretty shocked when the singer of that hardcore band Inhuman told me this was his favorite Suicidal record. Also, the video for "Trip At The Brain" is pretty funny! I should post about that one too, there are some great moments. Here's a pretty cool death metal cover of it.

Needless to say, I thought this was the coolest fucking house ever and when I was 13, I wanted to live there more than anything I have ever wanted!!

But man, I love the cover of this record so much!! Mike Muir just came from a car club meeting with those ridiculous pants and wifebeater, Bob Heathcote looks like he should be running a drill press at some metal shop, and Rocky George begins the proud tradition of the Pirates hat. Then there is the guy in the brown shirt who actually looks pretty cool except that, thanks to Municipal Waste or whatever, you'd think he's some kind of jerky "thrash revival" kid.

Controlled By Hatred (1989)
Fuck yes!! This is my second-favorite Suicidal record, I love it a lot! As many of you probably know, a bunch of these songs are re-recorded versions of No Mercy songs, which are way better than the originals because the production on the No Mercy LP makes "Breeding The Spawn" sound like an audiophile's wet dream. These songs have a cool thrashy, punk vibe that takes you back to the early days of Suicidal, only with crisp metal production- kind of like that Slayer covers record (which I think is also really good despite not being a big Slayer fan).



The best track on here is "Master of No Mercy," which I have always thought was their most underrated song (technically it is No Mercy song, I guess). If you can make it through the chorus without aggressively headbanging at your co-workers or roommates, you're a stronger man than I am. I just got up yelled, "He's the arsenic in your Kool-Aid, he's the bomb in your mail!!" at the girl whose desk is across from mine! Seriously, what an awesome thrash song! I don't know who or what the Master of No Mercy is, but I am sure he's bad as fuck!

This is from the Excel MySpace, but might as well have been one of my 8th grade binder covers

I remember seeing some piece (graffiti) years ago that had "Master of No Mercy" written next to it and I was pretty stoked, like "Yeah, that dude knows what's up!" I think it was Orfn, but it might have been Fate or something, I don't remember. In any case, I love this song and this whole album a lot! I could probably do without the "Heavy Emotion Version" of "How Will I Laugh Tomorrow," but nothing is perfect so whatever.

The guy on the left is an American Apparel model we photoshopped in

The cover is also awesome. I've drawn that ST probably hundreds of times, and I definitely spent lots of time trying to copy the sick cholo writing on the lyric sheet. Fast forward to 2009 and I'm 30 years old, still doodling cholo-inspired graffiti on every piece of paper I come near (ask everybody I work with). Like I said, Suicidal is basically how I got into everything I've been into for my adult life. Having just typed that, I feel a little silly about being so captivated by a band, especially one who went on to be as abominable as Suicidal, but what can you do??


Lights Camera Revolution (1990)
Perhaps it's my nostalgia goggles at work, but I'd like to think this record isn't complete shit. I mean it's definitely not great, but it has its moments for sure. "Send Me Your Money" is the prerequisite attack on corruption with organized religion. "Alone" is a touching, heartfelt song about Cyco Miko feeling lonely. I'd like to think that the 19 year-old Mike from the first album would have shanked Cyco Miko for being a sensitive pussy, but who knows? Without access to the Nocturnus time machine, we can never be sure.



"You Can't Bring Me Down" is, of course, the highlight of the record. I mean, it's the origin of the "Charles Manson eating Froot Loops on your front porch" tag, which is right up there with "Things I would destroy if I had access to the Nocturnus time machine." The video is pretty sweet, but I'm getting sleepy so I might have to save the frame-by-frame analysis for another post.

Apparently this is the current Suicidal lineup?? I have no fucking clue who any of these people are other than Mike Muir. He could at least bring Brooks Wackerman back.

All their other shit (1990-present)
Because I like Suicidal so much, I'm just going to pretend none of this exists. If you don't have something nice to say, don't say anything, right? I did kind of like that song "Psycho Vision" or whatever that they had in one of the earlier Tony Hawk Pro Skater games I played a lot (THPS2 for Dreamcast is the best IMO).

Without Suicidal, we would never have been blessed with Despise You. And a world without Despise You is one that I don't want to live in!!

Great moments in art history: Black Metal paintings

Here we see curators hanging one of these priceless pieces of art at the Louvre.

As much as my writings for this blog have been hailed by critics as being both groundbreaking AND insightful, I know that all the praise could easily dissipate as a result of one bad post. My internet fame could collapse like a house of cards that gets knocked over by the seismic activity created by Shane Embury walking nearby. Why bring this up? Because I'm sometimes afraid of posting something that the entire M.I. readership has already seen elsewhere. This, by the way, is very possible, since I'm rather disconnected from most metal activities online. This is a particular concern of mine when it comes to anything relating to black metal. Look, I know and understand that black metal and making fun of it is old news. You see, whereas in other households the phrase "like taking candy from a baby" is often used, in my house we say "like making fun of black metal."

Having said this, I simply felt I had to share this amazing artwork with all of you, even if some have already seen it. Under each painting I will give my critique.



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A challenging piece for the viewer to take in, to say the least. The terracotta tones (perhaps an homage to postmodernist architect Michael Graves?) ground the figures, while their scale clue us into the artists take on the subject matter. Not since Andy Warhol's erotic films have homosexual characters been depicted in such a manner.

Not content to merely use traditional symmetry as a way of creating balance, the artist has opted for the asymmetry common in modern art, as well as modern architecture. The quality of the facial features shows us that we are looking at true outsider art, perhaps the work of a retarded person, a monkey, or a homeless man...or Danny Spitz and his googly eye. Reminiscent of Mies Van Der Rohe's early floorplans, the characters slide past each other, much like walls did in his Barcelona Pavillion. Somewhere between abstraction and respresentational painting, this piece not only challenges, but also shatters pre-existing notions about art and artistic depiction. Had this guy been around when Demolition Hammer was putting out their first album, he totally would have gotten the comission.


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Much like Franz Kline's seemingly brute black and white canvasses, this piece speaks not only to our humanity, but also to our brutality. The duality of the black and white brushstrokes seem to hint at the hidden characteristics of the music it speaks of, while connecting with the viewer at a visceral level. The laughable proportions, lack of chin and asymmetric visage may seem erroneous, but are in reality a statement about man's inhumanity to man....or perhaps the artist needs glasses. One is also left to wonder "why are his nostrils so damn small?" The artists is taking a gutsy approach (to say the least) in specializing in portraiture, when he clearly has severe problems sizing up even the simplest of human features, but is that not the same for most black metal bands? They can't play their instruments, and yet they go on playing. Go figure.

This piece also has a slight connection to Demolition Hammer. How you ask? Does the angle of the face look familiar? Just look at the image below, which clearly served as inspiration.







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Exaggerated proportions and interesting brush technique speak to varying visual references, primarily the later work of Andrew Wyeth, as well as more banal visuals...such as the runny quality of a drunken hobo's diarrhea. The wispy quality of the brushstrokes is clearly influenced by Wyeth's work, and his depiction of prairie grass in his haunting masterpiece "Christina's World." Perhaps serving as a statment about the childlike nature of black metal's musical complexity, this portrait features the nose of a baby, thus layering meaning within the painting.






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Drawing upon visual cues from different areas of design and artistic expression, this piece is perhaps the artist's strongest statement. Not content merely making visual references to the work of assorted modern masters, the artist goes one step beyond and references the unlikely world of automotive design. Clearly influenced by the work of designer Chris Bangle (the rear of the BMW 5 series in particular) the subject's features seem to converge onto a single point...as though he has just eaten a very sour lemon. The extremely short length of the subject's chain is also worth mentioning, as it looks more like a choker from the Delia's catalog circa 1996.

Although much of Chris Bangle's work for BMW has been criticized, his impact on automotive design is undeniable...much like Possessed's album Seven Churches.

Another possible use of allegory by the artist is the repetition of the upside down cross. What is he trying to tell us? Perhaps it's a simple reference to the recurring pitchfork shape that is clearly seen in Grant Wood's "American Gothic."

Note the pitchfork shape, which is repeated both in the overall's pocket, as well as upside down in the top window of the house.

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