Showing posts with label h records. Show all posts
Showing posts with label h records. Show all posts

Monday, September 14, 2009

The beauty and innocence of youth: Memories of outdoor shows in the early 90s



Two weeks ago, this amazing picture of New Jersey's Revenant was posted here at Metal Inquisition. To say that I love this image would be a severe understatement. I mean, many have tried to encapsulate the youthful abandon that permeated early 90s death metal, but few images have done it as succinctly as this picture. What, I ask you, is more metal than playing the Fourth Of July picnic at your apartment complex? The varying heights of their hi-tops, the varying shortnesses of their shorts, the varying degrees of shirtlessness upon their chests. If you were there during those years, you understand why this image is so great. This is what it was like back in the early 90s, and if you missed it...you missed it. Death metal was new, china cymbals were huge, and Morrisound Studios reigned supreme.



A sweet outdoor show in Italy, with an audience made up of no one...because the picture was taken with a tripod and a timer. This picture, by the way, officially started the musical genre known as "small amp metal". In short, this musical style can only be played with small practice amps, and is at its best when the stage the band is playing in is at least twice the height of the tallest amp.




Memories:

During my reign as drummer of a handful of so-so bands in the early 90's, I played a few outdoor shows...just like the one pictured above. The band I played the most with was more of a grindcore band, but our shows were almost exclusively with death and speed metal bands. As a drummer, these shows were particularly frustrating, since grass is pretty much the worst surface on which your drumset can sit as you attempt to rip a brutal blast beat. As my drumset rocked back and forth, the cymbal stands dug into the soft grass, and you suddenly realized that you were engaged in battle with nature. Luckily, the bands I was in never attempted to seem evil, so when my cymbals toppled over onto the flower beds in front of the drumset, I probably looked less stupid than the death metal bands who would play after us. They, I have to tell you, looked seriously stupid. Have you ever seen a dude growl "Our next song is about a brutal serial killer...and its called..." into a mic, while standing on grass, at 2 in the afternoon, and a fly starts buzzing around his stinky hair? By comparison, we looked downright presentable and cool. Which reminds me, at one such show, a local band who we despised introduced one song by saying the following:

"This next song is about a cannibal who eats people"

Hmmm. As opposed to a cannibal who eats what? Tofu? By definition, a cannibal eats people, no? But anyway, I'm getting off track here.Out of the handful of outdoor shows (in reality, they were more like "backyard shows") that I played in during the early 90s, one surely sticks out in my mind above all others. Imagine, if you will, driving to a remote and rural location in the midwest...a town that was little more than a conglomeration of homes and had just recently gotten its very first stoplight. Then imagine a flatbed trailer, like from an 18-wheeler, with bands playing on top of it while it's parked in the middle of a depressing field. Billed as a "metal fest", the show was merely six bands and an audience of about 40 people. If you're a math genius like me, you can probably figure out that most of the audience was actually made up of the other bands. Depressing, I know.


Not happy with the fact that only horrible metal bands were getting to play outdoors, pseudo-prog bands have recently started to get in on the action. Here we see a prog band's singer and keyboard player praying that his parents don't come home early and yell at him for using all the extension cords.



It was one of the first shows that our band had played, so we set up a boombox in front of the stage to record our set. On the drive back home, I remember listening to the tape in my brother's car. Quickly we realized that two stoned Pantera fans had been standing by our beloved Panasonic boombox during the whole set, and endlessly did their horrible Bevis and Butthead impressions into it's tiny microphone. As a result, what we ended up with was a thirty minute tape of two rural jerkoffs with no teeth testing out their comedic chops onto our boombox. I remember what they looked like, slightly overweight and with nearly identical Vulgar Display Of Power shirts. The fact that they were only missing a few teeth, made them stand well above the rest of the audience, most of whom had even fewer teeth, and the few they had were dark brown. This, I would later learn, was partially as a result of drinking water pumped from wells, which lacks fluoride.


Outdoor shows in empty fields and backyards during the 90's would sometimes bring out bands who were barely metal at all. Like a community college who will let anyone in, backyard shows sometimes had bills with bands totaling well into the double digits. Inevitably, at least one band would feature a guy in a Dr Seus hat who was more than ready to use his wah-wah pedal for every song. Another interesting note about outdoor shows during that time: apparently no one was allowed to use anything other than small practice amps with 10" speakers.




You know how sometimes people talk about the "good old days"? When they do, all I can think about is that "fest". I remember standing in the hot sun for hours, playing on top of a trailer, watching fat dudes get drunk and turn their back on the makeshift stage as we played, so they could light off firecrackers in order to throw them in to the neighboring cornfield.

So why did I suddenly remember this less than memorable "fest"? Well, it's all because of the Revenant picture above, but also because of the videos below. The first video features an outdoor performance, but also the typical dude who is getting down, not realizing that he's really taking away from the "evil" atmosphere that the music is trying to convey. We had a few guys like this at our shows...one particularly memorable one was an elderly black man in a suit and tie who suddenly decided to take his tie off and wrap it around his head as he danced around like a six year old ballerina at a recital. His suggestive gyrating dancing is a sight I wont soon forget.

The second video reminds of this era because of the sheer number of bands that were this bad who I had the pleasure of sharing a bill with. Outdoor shows were particularly attractive to these types of bands. If at first you think they sound okay, keep watching...and wait until the singer starts. Thanks to the reader who sent this in.




This dude knows how to GET DOWN!




Although this show is taking place indoors, the musical quality is indicative of many small-amp/outdoor metal bands. Is this guy the greatest metal vocalist ever? Do you even have to ask? I'm glad that the drummer has headphones on, so he can play perfectly on time thanks to his click track.




A classic that we've posted before. Certainly worth checking out again.




Reader submission. Sometimes the show is not on stage at all...check out the dude dancing.

Thursday, July 3, 2008

Grindcore bands: Why even bother with songs?

With bands like Praparation H, Mortician, Meatshits, or Gut, sometimes you have to listen to a full minute of porn or horror movie samples before you get to the actual song, which is only 1 second of noise. It was funny in 1991, but it got old a long time ago. So I was thinking, why not just do away with the songs altogether and just make a whole album of intros. With the exception of the old masters like 7MON, Nuclear Death, Ulcerous Phlgem, and so forth, grindcore is a wretched, shitty genre anyway, so I can't imagine anybody will complain that there isn't any "music."

That said, I think it is safe to say that the entire porn and horror genres have been stripped bare of samples (thanks to the bands on Razorback, Wild Rags, and zillions of third-world, cassette-only labels). Here are some thoughts on new genres to exploit:

Romantic comedy
I love anything with Ryan Reynolds or Hugh Grant in it! Especially Hugh Grant! I literally laughed so hard I was crying uncontrollably and my stomach was in pain during Bridget Jones 2. One great sample would be from Bridget Jones 1 where she tries to impress him by saying, "Isn't it terrible what they're doing in Chechnya?" and Hugh Grant says, "Oh Jones, I don't give a fuck!"


Historical fiction
These movies usually have lots of horses, crying, and sheer fabric in them. They're not really my cup of tea, but it would certainly be an interesting change of pace for the next Anal Blast album to feature samples from Atonement, King Arthur or Little Women. The one good thing is that these movies sometimes have super hot chicks in them like Keara Knightly and Winona Ryder (ask Lucho Metales about her). Sometimes the chicks will show their tits in them, too, and it's cool because it's art.

Movies with Jason Statham
Basically if Jason Statham is in a movie, you can guarantee it will be fucking awesome! Both Transporter movies, Crank, the Bank Job, the guy is a genius. He's tough but sensitive, funny but cool, and has a black belt in body karate! I definitely think him and I could be buds, and some of his lines would be perfect for a wigger slam record.


Taught political thrillers
Next to romantic comedies, this might be my favorite genre. Unlike punk rockers, metal bands are patriotic and know why America is great. So perhaps some clips from Shooter or The Bourne Identity would be a nice fit. Grindcore bands can be a little on lefty side, so this could be a stretch... but I just wanted to put it out there.

Documentaries
I would love to hear the Meatshits use some samples from Nova, or perhaps "A Brief History of Time." I mean a band like Oxiplegatz, Origin or Cynic would have no problem finding a place for some stuff about quantum physics. But what would really be great is to invade the Razorback vaults and replace all the samples on the Lord Gore or Dead records with samples from that stupid spelling bee movie or Infamy.

Tuesday, April 1, 2008

A SkullKrushing Vinyl Collection (part 1)

Listen here: I know I don't have the awesomest record collection out there, ok? I know my vinyl collection is just a hair above average, but I thought I'd share a few of my favorite pieces in a series of posts and make fun of myself in the process.

I'd like to encourage fellow MI staffers to do the same and post some pics. I know some of them have some pretty good shit, too. (Please post the autographed Danzig gatefold)



I don't even remember where/when I got this, but I'm glad I did. Do you know how many chix I've gotten 'cuz of this limited edition 7" Anthrax picture disc? Yup! Not one.



Still one my favorite records in my collection. When we bought it, we had no idea what Wehrmacht would sound like. They blew our mind off!



I think I got this record as a "gag" birthday gift. I didn't find it funny, I found it RAD! After that opera thing he did with Gogmagog, Paul Di'Anno blessed us with this jewel.



Do I need to say anything about this? Wild Rags + Bloodcum = sweet vinyl! I guess in the Araya and Hanneman households, all the talent went to to Tom and Jeff, respectively.



I have no excuse for owning this. I bought it in Austria. I payed like $7. I know... I'm sorry.



The note reads: "Kurt- The Great Kat is God!!" Duh, of course she is! I have no idea who Kurt is, I stole this record from the radio station I used to work at a billion years ago.



For now, I'll leave you with this image. I like Helloween.


Friday, March 14, 2008

When did grindcore jump the shark?

Just so you know, this is going to be one of those posts where an old guy complains about how things aren't the same anymore and he is scared, confused and angry about it. So if that's not your thing, please close your browser now.

In any case, as far as when grindcore jumped the shark, I'm going to go with 1998. So yes, I am a decade late in writing this, which means I'm old, but we've already established that. But back on topic, 1998 was when bands like Locust introduced the sweet sounds of grind to skinny kids with black hair, and it was all down hill from there.

Grindcore band members then:


When I was a kid, grindcore was for weirdos that, in the words of Chris Dodge, spent most of their time watching porn in their mom's basement and writing angry letters to Maximum Rock N Roll. And that's the way we liked it. Bands like Nuclear Death, Gut, Hemdale, 7 Minutes of Nausea, Meatshits, Malicious Hate and Excruciating Terror were by losers and weirdos for losers and weirdos. Someone in a grindcore band back then was probably a high school dropout with rapist glasses that worked as a drill press operator at a machine shop. Nowadays most people in "grindcore" bands are 19 year olds with MySpace hair.

Grindcore band members now:


I know you can't expect things to stay the same forever, and I wouldn't want them to. For example, it would be a tragedy if Cianide was still a band. But I wish that grindcore had the same kind of gritty, scumbag appeal that it used to. Even stalwarts like Anal Cunt have sold out. Did you know that their albums have had lyrics and music for over a decade now?! What happened to the old days of the 5,643 song 7".

I tell you, it's a sign of the times.

Thursday, March 13, 2008

Retroview: Classic 1990s generic death metal comps

As we have discussed before, it is without a doubt that the 1990s were an incredible time for death metal. Especially if you liked an endless stream of albums full of clicky bass drums and cookie-cutter riffs topped off with Wes Benscoter and Dan Seagrave covers. And that's definitely what you got when you purchased one of the seminal death metal compilations of the 1990s. Finally, it should be noted that we are reviewing the cassette versions of all these compilations, for those of you who are gaywads that pride yourself on pointing out that Dr. And The Crippens weren't on the Japan-only double 10" flexi version of Grindcrusher or whatever. I hope you get hit by a meteor.

Please leave comments on your personal highs, lows, and WTFs for the albums, and remind us of what other generic 90s death metal comps we missed.




At Death's Door: A Collection of Brutal Death Metal
I was going to make fun of this one but after looking at the track listing again, it's actually pretty sweet and generally devoid of crap or novelty bands, especially considering it's from 1990, making it the earliest of all these comps.

Highs: Believer! I love this band so much even though they're Jesus freaks. I'd go so far as to say they might be the best thrash band of all time. Seriously. I love both their albums, especially the one that sounds exactly like Earth Crisis. Also, one of the better Deicide songs.

Lows: Malevolent Creation, yuck! I can't think of anything even slightly notable about that band. Well, except for that one song... you know... that one.

WTF: For a good 2 years or so, I thought Deicide were called "Decide." I am pretty sure I said a few times that Decide were the most brutal band ever.




Death Is Just The Beginning Vol I
The only other person at my high school that listened to death metal was this poser named Cam. He let me borrow this tape in 9th grade. It was my first introduction to Nuclear Blast, and as you might guess, I was not impressed. That shouldn't be a surprise considering this is the same label that thought people would pay money for Gorefest and Kataklysm records. If there's one thing we learned from Nuclear Blast bands, it's that Euros shouldn't be allowed to make music.

Highs: Uh... well, I actually really like one of the Righteous Pigs songs on here, which is funny because I can imagine even Wild Rags turning down their demo.

Lows: Master, Defecation, Atrocity, Disharmonic Orchestra... need I go on? Oof. Oh and don't forget Benediction! If you can make it through both sides of this tape, you're a braver man than I am.

WTF: There is someone out there on this planet who considers this the best album ever made. Think about it. There are 6 billion people on this motherfucker, one of them has to think this album tops them all. He probably also has severe head trauma.



Corporate Death
Relapse these days is a truly awful label. Not as bad as Earache I guess, but who is. They mostly put out beard metal and hardcore with not an Exit-13 record to be found, it's bullshit. But back in the early 90s, they were pretty sweet because they put out lots of awesome American death metal, such as this comp.

Highs: Suffocation "Human Waste." This completely knocked my dick in the dirt when I first heard it and began my decades-long love affair with wigger slam metal. Also, back then Relapse had the balls to put out weird shit like Candiru and Convulse, which I still like a lot. OK, that's not true, but it was still cool.

Lows: Mortician. Ugh. Disrupt, one of the worst bands ever that just wouldn't quit. General Surgery, the epitome of forgettable death metal.

WTF: At the time, I didn't really get that the whole "corporate" theme was a joke. But I knew Relapse was a huge label because they had color sleeves for their 7"s, so I wasn't surprised that they could afford the building on the cover for their headquarters.




Grindcrusher
In retrospect, most of the albums in the Earache catalog are complete garbage, although at the time they seemed like the best label ever. This is certainly no exception. For the most part this was fourth-string European bands that were deservedly unknown. However, there are a number of seminal tracks that cannot be dismissed.

Highs: Fucking CHAPEL OF GHOULS, one of the top 3 death metal songs ever written (the other 2 are "The End Complete" and "Hammer Smashed Face"). Unseen Terror, the finest Garfield-based grindcore band ever. This was the first time I heard Nocturnus!!

Lows: There are so many. Godflesh, Sore Throat, Mighty Force... but the worst is probably Cadaver. Jesus Christ that band is terrible. Nothing is worse than generic Euro 90s death metal.

WTF: When I was 14, I thought Lawnmower Deth was a really good band.

Wednesday, February 27, 2008

Impetigo: REAL GRINDCORE


I was blessed to have been at the Milwaukee Metal Fest XII in 1993. Not only did Phantasm play a kick-ass show, but I witnessed the final Impetigo show...ever. it was better than a peanut-butter and jelly sandwich that has been sitting at the bottom of your schoolbag for the whole day. It was awe-inspiring. It was one of the happiest days of my life. Really. I’m pathetic, OK?

I was introduced to The Masters of Goregrind by non other than the infamous Richard C. of Wild Rags. After a few letters back and forth, he sent me a flyer for a new CD he was about to put out: Ultimo Mondo Cannibale. The art on the flyer was so sick I knew I had to get it. It looked like a retarded 14 year old had drawn it while in prison for double homicide and rape. I was doing my metal radio show at the time, so I requested a promo copy. When I first played it, I was blown away. It was SO raw! It was so...so...so BRUTAL! The production was crude, but so brutal! The music was simple, but so brutal! The lyrics were cheezy as all hell, but so brutal! Stevo's vocals were terrible and awesome at the same time...and also so brutal! The cover art was simply AMAZING. As sweet as seedless organic green grapes! I was impressed at the obvious Gauguin influences in Stevo’s art.


The thing about Impetigo was that their sound was very unique. It's probably because of the low-budget production and their simple riffs. But it was all memorable and (dare I say it) catchy. Impetigo had entered my life and they entered like a freight train (Nitro reference). My band decided to cover "The Revenge Of The Scabby Man", I put an Impetigo sticker on the bumper my 1986 Dodge Horizon and another one on my white flying V geetar. I played songs from Ultimo on the air so often people would call to yell at me, but I didn't care I was in love! As it often happens in situation like these, I needed more. I had to get their demos. I wrote a quick note to Mark, the guitarist. He responded quickly and within a few weeks I had a dubbed copy of Giallo.

The demo is a bit more hardcorish sounding than Ultimo and honestly I don’t like it that much. Anyway, Mark and I wrote for a looooong time and he even said he liked my band when I sent him our first demo. I know now, of course, that he was lying (no one can possibly have liked my band then…or now). Still, it was a nice thing to say. Anyway, Horror of the Zombies came out in 1992 and instantly became my favorite CD. Even today, Horror is in my top 10 records of all times and Boneyard in my top 20 songs of all times. The cover was, again, sick as shit! Looks like Stevo remained influenced by Gauguin for this masterpiece.


Impetigo was a TRUE grindcore band. No PC stupid and simplistic pseudo-socially-conscious lyrics here. No guys in dreadlocks preaching against sexism. No black and white patches with left-wing slogans. Impetigo were pure fucking GRIND. They had gore lyrics, hyper-cheesy and offensive cover art, samples of women screaming in pain and BRUTAL tunes. They didn’t look like peace-punks or like hardcore tough-guy retards pretending to look scary. These guys WERE scary. They looked like serial killers or rapists, or plain old farmers from the middle of Illinois…which, I guess, is what they were.


The bands that call themselves grindcore these days are a disgrace to the term.


Man, I wish I still had that ’86 Horizon.

Metal Inquisition History Lesson: I Was In The Wild Rags Street Team

Here at Metal Inquisition, our primary goal is to entertain. Another, perhaps secondary goal, is to school today's metal youth in metal history. It's with that spirit in mind that this post was written. School is in suckas.




This seemingly unassuming corner in Montebello California was once upon a time the home of Wild Rags Records, the record label and store run by the infamous Richard C (full name Ricardo Campos). Richard C is without a doubt one of the more polarizing names you can bring up to those who were involved in the underground metal scene in the early 1990's. Widely known as "rip-off" (a now seldom used term common in the days before the internet when tape trading occurred strictly through the mail) Richard and his label continue to be the topic of conversation on the internet, even though the label has not existed in some time, and the man himself has long ago fallen off the face of the earth. A Myspace tribute page is out there, but very little else remains of the once infamous label. Makes you wonder who on earth would even take a minute out of their time to keep the memory of the label who put out records by Zombified Preachers Of Gore alive...but anyway. I keep using the word "infamous" when referring to the man and his label, because I don't know what else to call the label and the bands they put out. "Laughable" could also work I guess...but then again I have the entire Nuclear Death discography on my Ipod...so I can't make fun of the label all that much.

Though Wild Rags started out releasing questionable music (including glam bands like Cherry Street), the label would go on to put out influential releases by the likes of Nuclear Death, Impetigo, Brutality, Blood, Bloodcum, Sigh, as well as Emperor and Internal Bleeding. I also remember them distributing demos by bands like Excrutiating Terror before they became the darlings of the powerviolence scene. Back to Internal Bleeding though...as I write this I have to laugh because I remember having Internal Bleeding's first demo, and thinking to myself "man, they signed to Wild Rags? They're gonna be huge!" Such a thing would only be funny to someone like me, who had the first Internal Bleeding demo back when it first came out. Old timer metal humor I guess.

My limited interaction with Richard C began after I went to a Morbid Angel show in 1991 or so, and received a flyer that talked about how much of a rip off Wild Rags was. Since I was planning on ordering the Impetigo "Faceless" EP that week, I included the flyer along with my order, and asked for his thoughts on the matter. The response I got from Richard was unexpected to say the least. Along with the EP, I got a large box with tons of records, CDs, stickers, tapes and about 50 copies of his publication The Wild Rag. The letter that came along with all this stuff explained how the guy that made the flyer was full of crap, and that he'd appreciate it if I would pass out his flyers, records and magazines at the same shows where the anti-Wild Rags flyers were being passed out. I quickly decided that the last thing I wanted was to get into a confrontation with some stranger at a show regarding a guy in California I had never met. So, I decided to sell the copies of the magazine to fellow metalheads in school (for a buck each) keep the records I liked, and sell the rest at a local record store. For a couple of years the boxes kept coming, and I had a steady supply of free gore and grind records, as well as a few bucks in my pocket. This all seems like ancient history now, but at the time I have to admit that I felt pretty cool being somehow connected to a somewhat legitimate record label. I remember telling kids in school that I was the local rep. for a label, or something like that. Even thinking of it now I cringe...but such is life.

I actually met Richard at the Milwakee Metal Fest one year without even knowing it. I approached him to buy a shirt in the parking lot to the venue, and noticing that he only had Wild Rags merchandise, I asked him if he was Richard. He quickly said "no, I don't know that guy". Later it became clear that it was him, but he didn't really want anyone to know who he was. I'm sure he wanted to avoid getting his face punched in by all the people he had supposedly ripped off...but the allure of thousands of metal fans eager to spend their money on his records and badly screened shirts had made him fly all the way to Milwaukee. Little did I know that angry guys in bands were the least of his problems. More on that in a minute.


After a few years, the packages of free stuff dried up. His zine The Wild Rag became even worse and more laughable than it had been before, and I lost interest. I had completely forgotten about the label and Richard, until fellow metal brother Sergeant D brought up the subject to me about six years ago. I began to tell him about my interaction with Richard C, and as I told him the story I thought to myself "Holy crap, I was in the Wild Rags street team before street teams existed!"

Out of all the stories and accounts of whatever happened to Richard, the only one I seem to think is truthful comes from Pat who played in Hellwitch. I used to trade metal videos with Pat around 1990-1992 and wrote with him a lot. He always struck me as being a nice and upfront guy (he also had unbelievable penmanship by the way, all in cursive...not very metal). In this interview from 2006 he said:

..Ricardo was charged by the U.S. government with crime of income tax evasion and was sent to prison!! Actually, I’m not sure if he was caught, but I know he was wanted for this crime. Some say he fled to his home country of Mexico. The members of Sadistic Intent went to the government auction of Wild Rags’ stock and purchased most of it. They now run a record store in L.A. called Dark Realm, which sells much of Ricardo’s confiscated inventory! Haha! I love telling this story! As we say in America, “What comes around, goes around!”. Ricardo got his!


Okay, now that I have this story out of my system...I promise I'll try to make my future posts funny.


Sunday, January 20, 2008

The ultimate wigger slam

I posted this kid before, but came across another one of his videos. Seriously I think he is the sickest guttural death vocalist ever, maybe even better than any of the Devourment guys. And by the way, this kid is fucking 17. He is in several bands, all of which are unbelievably brutal and awesome: Malodorous, Disfiguring the Goddess, and Perforate Carcass. He also records bands and makes hip hop beats- this is one talented fucking kid- a true wigger slam Rennaissance man!