Cassettes I owned in 1992

As most readers know, all of the Inquisitors are big fans of cassettes. It just seems like the natural format for genres like thrash, generic death metal, and crossover. I mean, can you imagine listening to Master or Desultory on vinyl or CD? Of course not! These days I'm more likely to listen to Forever The Sickest Kids or Miley Cyrus remixes, but here are some cassettes that I owned in 1992, for better or worse.



The Accused - Grinning Like An Undertaker
The Accused had pretty much the perfect formula for getting a 14 year old kid stoked. You could put the poster of the infinitely detailed monster from the album cover on your wall and bounce around your room moshing to the mosh parts and thrashing to the thrash parts, then go see them at some crappy VFW hall and get high in the parking lot with them before the show. What could be better?! Although this record had that regrettable rap song on it (I chalk that one up to signing with Nastymix), it is overall their most consistent release, including some of their best songs like the title track, "Tapping The Vein," and "When I Was A Child." They were one of the first bands where it really wouldn't be possible to classify them as punk or metal. I liked that a lot as a kid since I didn't feel comfortable in either scene, and I liked them even more since they were a local band. Too bad Tommy ruined the band by quitting to start Gruntruck, who were absolutely awful.



Forced Entry - As Above, So Below
As a youngster growing up near Seattle, I was fortunate enough to see Forced Entry many, many times. I won't be "that guy" who goes on and on about the old days, but I will say that one of the most memorable shows I ever went to was Forced Entry and The Accused for free at the amphitheater under the Space Needle, I think it was 91 or 92. It was the day they filmed the video for "Macrocosm, Microcosm," and I'm pretty sure I'm in the video for a split second- I was wearing a black and white plaid shirt, buttoned at the top in my best Mike Muir impression.

Anyhow, their brand of technical thrash was really ahead of its time, and in my opinion still sounds great. They were definitely white trash retards, like everybody else from Mountlake Terrace back then (these days it's much fancier than it was at the time), but their music was much more cerebral and avant garde than their peers. They weren't a bunch of faggoty eggheads, though- they knew how to fuckin' party!! In case you didn't believe them, they proved it with their version of one of the best elements of thrash: the goofy party song (Exodus were good at this too). Forced Entry had not one, but TWO of these on "As Above, So Below": "We're Dicks" and "How I Spent My Summer Vacation," both of which had awesomely retarded lyrics about bongs, blowjobs, and booze.

I could go on about Forced Entry for a long, long time. For example, I could talk about how Brad Hull almost got to be the replacement for James Hetfield when he got burned (he got beat out by the dude from fellow Seattle band Metal Church), how jealous I was that my friend in Himsa got to skate on the singer's ramp back at Brier High, but I'll leave it at that. If you are a fan of weird, angular thrash like Voivod or Coroner, or even progressive death metal like Broken Hope or Oppressor, do yourself a favor and check this album out.

Biohazard - Urban Discipline
We have already discussed Biohazard extensively on Metal Inquisition, so I won't repeat it. Suffice to say that, as one of our readers commented, this album and its accompanying videos were indeed a wiggerish arm movements instructional video, and I loved it!



DRI - Thrash Zone
My friend Kevin gave this to me in gym class in 1990. He said "Here, you can have this, it's too thrash metal for me." His favorite bands were Bad Religion and Red Hot Chili Peppers, although now he plays in western swing bands. I had only seen the video for "Suit And Tie Guy" on a Seattle-area show called Bombshelter Videos, but I knew I was in for a treat! This album is a chopaholic's dream come true: every song goes "chop chop choppa choppa chop" like a well-tuned machine. Also, it's a little funny that DRI pioneered the concept of short songs, yet succumbed to the common 80s practice of making their songs way, way, way too fucking long on this album. I mean who really needs five goddamn minutes of songs like "Gun Control" and "Abduction"? Nonetheless, "Thrashard" is without a doubt one of the best crossover songs ever written and if there was an Academy Award for retarded punk lyrics, it would most certainly win! It was one of the highlights of my life to sing this verse with half a dozen people on a boat before Lucho Metales' bachelor party a couple of years ago:

Thrashing and slamming
Like hell in the pit
Tomorrow they know
May not come
Banging and moshing
Like they don't give a shit
To the rapid beat
Of the drum

A boot to your forehead
A knee in your face
Your nose and lips
Start to bleed
Like a wild Indian
From outer space
Drunk and
High on weed

Your turn
What were your favorite cassettes in 1992? Don't cheat and list stuff you had on vinyl or CD!!