Showing posts with label grind. Show all posts
Showing posts with label grind. Show all posts

Wednesday, November 11, 2009

Belgium's Finest




"Belgium's Finest", the phrase alone brings great images to mind. Belgium, is great at so many things. Belgium is great at easily being invaded by the Germans, they are also great at putting mayo on their fries ("frites" as they call them) and great at developing horrible bands like Front 242. Just as bad, if not worse than being invaded by Germany, is the Belgian band Agathocles. In case you don't know, Agathocles is a band who are best known for putting out more records than the number of hair plugs in Kirk Hammett's head. And that's a whole lot.



This is what the band Agathocles looks like. If you need to have any leaking faucets or electrical work done around your house, now you know who to call.




Putting that aside, Belgium is also home to one of the greatest cyclists of all time, Eddy Merckx. Here we see Merckx posing with US Secretary of State Condaleezza Rice. According to most Belgians, Eddy Merckx is so great that his urine can cure lepers, and his farts smell of fine cinnamon and mint. By comparison, Agathocles records make you feel worst than if you were a leper and also smell like farts.


Notice her happy smile, that's because she just caught a whiff of one of his potent, but pleasant farts.



But there's more to Belgium than cycling and putting mayo on fries. I know this, because I was there in the 90s. I remember the abandoned rollerskating rink that the band I was in played (thanks to the thirty six people who showed up by the way.) But these are all merely sidenotes. Why? Because the most important and relevant product that the entire country has, however, must be the band Hell Injection. See for yourself.



Fat shut-in guitar player? Check. Biohazard wanna-be singer? Check. Creepy tag along/roadie who just sits there during band practice and "feels the vibes"? Check.




What does this awful Photoshop collage signify? Is it in honor to all his dead homies? Is he sad because Agathocles is putting out another split 7" record? We'll never know.



There's always the one dude in the band who's girlfriend always tags along. Just like Yoko, she's gonna' break up the band. By the way, she hates her boyfriend so much (the singer) that he refers to having sex with him as him giving her a "Hell Injection".




You're not Joey Ramone? Oh, okay...that's good. Can I beat your face with your stupid bass then?

Friday, July 3, 2009

Vomit Grinder: A master and his craft

Someone call the authorities! That poor child is not only being forced to wear track pants at an early age, she's also being subjected to seventh-rate pornogrind created by a man who wears pants so large they would have been mocked at a rave in 1995.




Man, you blink for only 20 years or so, and the entire pornogrind scene changes drastically. Back in my day, Traci Lords Loves Noise and early Meat Shits defined the sound of a musical movement that seemed unstoppable. Young upstarts, like Illinois' own Vaginal Dissection were making significant contributions through their endless flow of cassette releases.

Today, things have changed, and one primary outlet for this musical style is the medium known as the YouTube. All I have to say is, thank god for the YouTube. Today thanks to technology and the internet, we are brought inside the inner circle of pornogrind masters like Vomit Grinder, artists of the highest order who previously performed their craft in relative obscurity. No more. How many of us have said "Oh to have been a fly on the wall when Mozart wrote his Clarinet Concerto", I know I certainly have. Such longing is no longer warranted. Simply watch the videos below, and enjoy a rare insider's look at an artist and his craft.

Please note the tasteful decor which surrounds this musical genius as he works on his musical masterpieces. It appears as though he went to the Funeral Home Decoration Depot and simply said "I'll take it all". While the decor may not be groundbreaking to other trailer owners, the rest of us are left in an emotional state upon seeing such beauty. Like a fat American tourist who sees Versailles for the first time, it becomes clear that while such opulence is common for those who live in it, the rest of us are simply looking from the outside in.

Enjoy his oversized pants, his huge amp, and please note his creative solution for not having a mic stand. Oh, and one last thing, look closely in the second video, as you will surely see the muses that inspire this creative genius.








Monday, November 24, 2008

5 Albums That Changed My (musical) Life

Computer-rendered depiction of the quiet moment when I decided to come up with this list.


My life in the world of metal has been a long one, at least it feels that way to me. Looking back on my years involved in metal, it's sometimes all a blur. I've attended lots of shows, concerts, and fests as an audience member. I booked bands, and helped my brother run his tape distro. Yes, there was a time when bands put out tapes. I saw Entombed at a strip club during their first US tour. I was part of the Wild Rags Records street team, and I was a pen pal of sorts with members from Hellwitch, Impetigo and other not-so-seminal bands. My brother and I did a radio show for many years, and played 7 minute Carcass songs so we could go to the bathroom which was roughly a mile away from the studio where we did the show from, and still get back in time to give out the call letters by the end of the hour. I played in bands, and got my double bass 36th notes to sound damn good and even. I've collected records, I've collected cassettes, and VHS tapes. I've driven long distances to see bands, and I've even waited to outside a tour bus to have an Obituary drumstick autographed. Okay, that last one still makes me cringe, but it was 1992 for god's sake! Anyway, because it's all a blur, I sometimes like to set some quiet time aside to think about it all. Just me, an Enya CD, a cup of tea, and nature. It's during these quiet moments (see image above) that I most effectively manage to reflect upon my life in the world of metal. Below is the product of my last quiet moment of reflection, a list of albums that changed my life. I've tried to be as truthful as possible in compiling this list, and as such the albums may not be as impressive or obscure as some I could have come up with. But this is the truth, here for all to read. These were albums that I encountered by chance at some point in my life. In one way or another, these recordings changed my view of music at that moment, and more often than not, sent me in a significantly different musical direction thereafter. School's in bitches. Let us begin.




1982
Kiss-Unmasked

I was a little kid when my brother and I received this album as a gift from our uncle. While many would argue that getting Unmasked as a gift is just as bad as getting smallpox infected blankets for your birthday, I have to tell you that I love this piece of garbage album to this day. In a way, I love almost anything that Kiss has done actually, best exemplified by Gene Hoglan's Balls and I singing "Hard Luck Woman" at a kareoke place just this weekend. But back to Unmasked. When I tell Kiss fans that this is my favorite Kiss album, they look at me exactly as you'd look at a retarded kid that just crapped his pants. A mix of disgust and sadness. What can I tell you, at such a young age, I had no idea that Kiss hadn't always been a disco-tinged pop disaster, but rather an awful talentless theater show. How was I to know? The album had enough songs with a harder edge to make it my favorite for many years, at least prior to my age jumping into the double digits. As a matter of fact, this was the only album that my brother and I listened to for most of our childhood. As a result of my youth, at one point I really did believe that Kiss may have actually been connected to satan, if only in a minor way. You see, my mom always told me to put my Kiss record away, (along with all my other toys) before going to bed. One day, I didn't listen to her and went to bed, leaving both the sleeve and the record sitting on the carpeted floor by my bed. In the middle of the night, I woke up to go to the bathroom, slipped on the record and hit the back of my head on the edge of my bed so hard that I nearly threw up from the pain. I remember getting a bump in the back of my head that was roughly the size of a hard boiled egg cut in half. After that day, I was always careful with the record, and kinda thought it really did have evil powers. As it turns out, the only evil power the record had, was making money for Gene and Paul for what basically amounted to third rate disco bass lines. I know, I was an idiot, but I was also like four. I loved the record, and while other kids in school were listening to silly kids music (perhaps one step up from "row, row, row your boat.."), I was listening to Kiss, and I felt like a bad-ass. This album basically set me up to continually keep looking for music that was harder, and more extreme than what the rest of the kids around me were listening to. Humble beginnings, I know, but in 1982, and this is all I had access to. About 8 years ago, my brother and I ended up at a taping of the David Letterman show. We sat right above Anton Figg, who was the session drummer for Unmasked. The whole time, I kept yelling at him to play "Torpedo Girl", which is my favorite song in the album. After the twentieth time, he kinda looked up, and shook his head. Yes, I had basically been told I was an asshole, but I had been told by the guy who laid down the groove on Torpedo Girl! So I was a happy man.




1988
Iron Maiden-Live After Death


Many years after Unmasked, my brother and I received dubbed copy of Live After Death from my sister's boyfriend. We were amazed by the whole tape. It was harder and faster than Kiss, and the cover (which we got a poster of) was way more evil! Eddie's shirt is all ripped, and the screw keeping his forehead shut was getting hit bit lighting! Holy shit! Sign me up! Soon after getting the tape, we watcged the home video version, and we were in love. I didn't speak any english then, but I could still be heard yelling out "scream for me long beach!" through the halls of my school. Can you believe that I still wonder why girls were repulsed by me? Maybe the bleached rat-tail, and the Brut Cologne didn't help, and I'm sure my wearing sweatpants constantly didn't make it any easier either. It's as though I was daring the oppostite sex to not throw up when looking at me. So, a couple of years after owning the tape, and playing it thousands of times, it became worn out. Another mishap with the TDK-60 dub of this album was that my sister's boyfriend had left the tabs in, so I mistakenly hit "record" twice while attempting to press "play" to listen to the tape. Because of this mishap, our beloved cassette had two blank spaces in crucial moments of songs. Actually, they weren't blank spaces, but spaces with ambient sound of my room back then, picked up by the small microphone in my Sony boombox. Having heard Maiden, the world of bands like Helloween, Metallica, Testament, and even Whiplash was open to my brother and me. I was like a fatty with an insasiable hunger for metal...and the pages of Metal Hammer magazine were my all-you-can-eat buffet. It was also around this time that we were introduced to some other very extreme bands, ones that bordered on grindcore, but they were small local bands that no one would know about...so I'll skip those. Moving on...






1989
Slayer-Reign In Blood
, Venom-Black Metal

I count this one as one album, since it came to me as a single cassette. You see, one of our neighbors came to our house one day, asking if we'd buy one of his dubbed cassetes for five bucks or so. In retrospect, I think he wanted money to buy some wacky-tabbacky...but I'm not sure. He was older than my brother and me, and he was hella' metal. The tape he sold us was a 90 minute cassete with Reign In Blood on one side, and Black Metal on the other. While we liked Venom, it was Slayer that captured our imagination. Sadly, this was the first Slayer album I encountered. As I've stated before, South Of Heaven is my favorite...but life has a funny way of leading you down a path. Anyway, soon after hearing this tape, we got a dubbed copy of the Ultimate Revenge home video, and we were both hooked. Clearly, we didn't speak english then...otherwise we would have noticed just how insanely stupid Slayer comes off in that video. Luckily, we were clueless. Having heard Slayer, Metallica started to seem a little tame to us. We finally realized that Kiss was a disco band at one point. We were shocked. We still loved Maiden, but we knew that there were more extreme bands out there, and we had to find them. Destruction, Kreator, Cryptic Slaughter, Crumbsuckers and Bathory made sense to us after having owned this tape.



1989
Napalm Death-Peel Sessions

My friend's mom was going to England for work in 1989, and he asked my friend what he would like her to bring him back from England. Being a smart dude, he quickly called me and asked me for the names of the most extreme bands I could think of, so she could buy those tapes while in England. My brother and I compiled a list, but I don't think that Napalm Death was on it. We had heard of other early Earache bands through reviews in Metal Hammer, but I don't think we even knew about Napalm Death. I should mention that Metal Hammer back then was made up of endless articles about AC/DC, small features about Metallica, a cover story about Triumph or Uriah Heap, with small reviews of actual metal bands. To give you an idea of how behind the times we were in our beloved backwards country, the Metal Hammer issues we were buying at the supermarket for a good bit of money, were literally three years old! I'm not kidding! Imagine my shock when I found out that Cliff Burton had not only died, but they had already replaced him and were well on their way to sucking full-time! In any case, back to the story about my friend's mom.... she came back with the Peel Sessions tape from England. We heard it, and as you can expect, we were shocked. Now Slayer sounded like Bon Jovi and Def Lepard. It blew our mind, and I think it took some time for it all to sink in and make sense. Having heard this tape, the world of death metal, grindcore, punk, crossover and noise was open to us. Though some bands could be heavier, nothing seemed faster and more extreme than this recording for many years. I have to say, while many were bummed when Napalm Death released Harmony Corruption, I actually liked it...even if it sounded tame compared to Peel Sessions. It's still one of my favorite death metal albums of all time.






1991
Death-Human


Living in south-Florida during the formative years of American death metal was a great experience.Chuck Schuldiner lived in a storage space near our apartment, guys from Obituary were dating girls in my brother's high school, member of Cynic hadn't started to play in salsa bands in cruiseships...those were the days! It should come as no surprise then that I still feel that those early years of death metal were by far the greatest as far as musical output. Shortly after the Death album "Human" came out, I bought it and loved it instantly. Actually, I didn't buy it...I got this kid who I completely used for his money back then to buy it for me...but that's another story. Human was catchy and highly melodic, two qualities that were somewhat rare in other death metal bands back then. Yes, you could remember the general melodies to Deicide songs, but Death had taken it a step beyond. It reminded me of Iron Maiden, and that was a good thing. Perhaps that's why so many people grew to hate them. Another aspect of this album that blew me away was its complexity. In retrospect, the album is not THAT musically complex, but it opened my eyes to the possibilities. I know many people hate the fact that bands like Cynic or Atheist opened up Pandora's Box, and that inside that box was Fusion and Jazz...but I loved it. While Human was not as complex as some of Atheist's music or Cynic's, this album connected with me and showed me that complexity could be metal, prog could be metal...hell Jazz could be insanely enjoyable. Sadly, like many great moments in music, I believe that albums like Human, and most Swedish death metal are to blame for letting in a fair number of short haired beardos into metal. But what can you do? That's not Chuck's fault! Go blame the beardos! You gotta crack some eggs in order to make an omelet.




That's it. I guess since 1991 I've had no musical breakthrough moments in the realm of metal. That shouldn't come as a surprise to anyone who knows or understands my taste in music. I've had plenty such moments outside of metal, but I guess in my eyes, little has been done that matters in any way since 1991 within metal. Yes, I've listened to some bands after then and liked them a good bit...but I have not heard anything after Human that sent me into a different branch of the metal tree, if you will. I'm sure some of you disagree, but this is my opinion. An opinion that sounds an awful lot like the old man who is still going on and on about how The Beatles were the last great band, or the Greatful Dead fan who refuses to acknowledge the mere existence any musical output after 1972. I guess I've joined their club...and to tell you the truth, that's just fine with me.

Tuesday, April 1, 2008

Metal Inquisition Video Vault: Napalm Death Checks The Album Mix In Scott Burns' Pick-Up Truck



As a little kid listening to metal, I always thought that for musicians (and others who worked in the metal-music biz), the world was surely filled with both brutality and glamour. An enticing combination for sure.

Then I saw this video...and I quickly became depressed. Watch as members of Napalm Death pile into Scott Burns' sad little pick-up truck to check the album mix for Harmony Corruption. Who knew that death metal guys were so comfortable with their sexuality to pile in so closely in a hot Florida afternoon for a metal sausage party? They look like clowns getting into a tiny car. Clowns who record death metal albums, that is. Shane looks like one of those mushroom characters from Super Mario. If you would have told me when I first heard Napalm Death that this is how death metal was made (in a crap studio by a highway in Florida, using a Mitsubishi truck to check the mix) I would have just given up and turned in the few metal credentials I had at 11 years old.

Watch closely, you don't want to miss:

- Scott Burns' tiny denim shorts
- Studio employee asking if its okay if "a guy from Morbid Angel" stops by
- Coroner sticker on pick-up truck
- Jessee following the notes along with his fingers

Wednesday, March 12, 2008

Metal Inquisition Video Vault: Napalm Death's Mick Harris. The Man. The Myth. The Trumpet Noises.



Within the world of metal, Mick Harris has always been considered to be a pioneer. Often credited with inventing the "blast beat", Mick was an integral part of Napalm Death during the band's early years.

That's one side of this man. But there is another side. The side that makes stupid trumpet noises for no reason at all, while embarrassing the hell out of his band mates. How much of this stupidity could you take? What the hell is he talking about? I left my idiot to English dictionary at home.

Notice how uncomfortable Barney seems in the first part of the video. I know he's probably thinking "Benediction was an embarrassment, but this jackass and his creepy trumpet noises really put my old band to shame." In the second part of the video poor Shane Embury is probably thinking to himself "Oh boy, he's gonna do his stupid jumping around, trumpet sound thing....I'll hold the mic for him...God how did I get to this point in my life? I was a musical pioneer, now I'm holding the mic for a spazztic douche while looking like a huge fat mushroom"


Mick Harris doing his stupid trumpet thing

Tuesday, January 15, 2008

Chris Barnes explains the difference between death metal and grind



I love the way his upstate NY hick accent comes out when he says "guitars", like "gitterrs." It's almost like "DA BERS!"

This is our neighborhood!

This rare gem of an audio clip, found on WFMU's site, brings us a short performance of the infamous A.C. with some clever Seth Putnam vs audience banter. Apparently some chick in the crowd doesn't know how to take a joke. If she can't take the brutality of seeing A.C. maybe she should have stayed at home to listen to some hippie crap like CRASS or Santana. You can hear what only appears to be Seth berating various show goers and a girl crying. All very funny. He also tries to start another song midway through the girl bellyaching about how he must hate womyn.

Lesson learned: People in California do not seem to enjoy fun.



Info is as follows:

"LIVE AT NIGHTBREAK S.F. CA 8-/6/93" by Anal Cunt

A live set that lasted for about 3 minutes followed by an argument between singer Seth Putnam, the audience, and a girl Seth had just hit in the face with a microphone...Seth spent that night in jail.

Monday, January 14, 2008

Robert Deathrage's Pants



Seldom thought of as a pioneer in any sense of the word, Robert Deathrage is following Chris Barne's footsteps and making a substantial fashion statement by rocking some fresh JNCO's. Also notice:
- 00:10
Drummer makes a statement of his own with what appears to be a hemp fedora.
- 00:14
A water cooler by the door, an unusual but classy touch. I bet Robert puts this in his contract rider. He knows fans will surely be parched after they play "Chop Her Up Like Dog Meat"

While we're on the subject of Bobby Deathrage, what an unfortunate name that the Chief Residential Inspector of Osceola County, Florida has... Robert Deatherage